Thursday, May 24, 2012

MXL R144 Ribbon Microphone

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MXL R144 Ribbon Microphone

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MXL R144 Ribbon Microphone

MXL R144 Ribbon Microphone
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Model Of Item : MXL R144
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amazing for the buck : MXL R144 Ribbon Microphone


My roommate paid nearly 200 a piece for Cascades that sound about the same. Great choice for guitar amp distance miking and works well on overheads.

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Saturday, May 19, 2012

JJ Electronics 12AX7 / ECC83 Preamp Vacuum Tube

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Model Of Item : T-12AX7-S-JJ
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Smooth and dark : JJ Electronics 12AX7 / ECC83 Preamp Vacuum Tube
I have a 5 watt combo amp. I was looking for a smoother sound, and got it in this tube. It lacks the brutal attack of the Sovtek and the all around bright articulate response of the NOS RCA gray plate I tried for over a year, but I'm really liking this sound for what it is. I think a tube amp ought to be warm and musical, with nice natural compression, and that's what I'm getting out of this JJ.
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JJ Electronics 12AX7 / ECC83 Preamp Vacuum Tube

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Model Of Item : T-12AX7-S-JJ
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JJ 12AX7 : JJ Electronics 12AX7 / ECC83 Preamp Vacuum Tube


A friend of mine recommended these. He uses them for his antique jukebox and older radios. I use them for my guitar amp. They sound really good and have been working without problems for over a year

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Tuesday, May 15, 2012

Korg Kaossilator Pro Tabletop Synthesizer

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Korg Kaossilator Pro Tabletop Synthesizer OverviewsThe korg kaossilator pro dynamic phrase synthesizer is the supercharged version of the palm-sized kaossilator. the kaossilator pro was reborn as a powerful track-making tool and loaded with live performance power. it creates spontaneous changes that were difficult to produce in the past. not any longer with the korg kaossilator pro dynamic phrase synthesizer. as a trailblazer among the "instrumental gadgets" that allowed anyone to easily create melodies and phrases, the kaossilator gained a strong and dedicated user base, even among those without any performing experience. today, the kaossilator continues to be enormously popular. retaining these revolutionary features – while adding a wide variety of new ones as well – is the kaossilator pro. with 200 sound programs, a new electribe-inspired gate arpeggiator, and four loop recording banks that can even record external audio sources, the kaossilator pro is packed with features that make it ideal for both live performance and premium productions. in addition, usb connectivity with your computer and sd card memory storage allow the kaossilator pro to be used not just for improvised performances, but also as a superbly intuitive, track-making music production tool. using touchpad is highly intuitive – simply rub, stroke, or tap it to instantly create complex phrases with a single finger. responding instantly to these gestures, the kaossilator pro creates spontaneous changes that were difficult to produce on synthesizers of the past. horizontal motions control the pitch, while the vertical axis can control tone parameters such as cutoff, feedback, or modulation depth. this makes it easy for anyone to create entirely original sounds and musical phrases..../ Korg Kaossilator Pro Tabletop Synthesizer / guitar online


Korg Kaossilator Pro Tabletop Synthesizer Features
  • KAOSS X-Y touchpad offers intuitive, realtime control
  • 200 sounds covering modern synth sounds such as lead and bass, and diverse acoustic sounds from piano to trumpet and beyond
  • PCM samples provide dramatic drum kits and ready to rock percussion patterns
  • Vocoder programs deliver scintillating vocal effects
  • Access up to eight of your favorite sounds instantly using the assignable Program Memory buttons
.../ Korg Kaossilator Pro Tabletop Synthesizer / guitar online



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Model Of Item : KOPRO
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My favorite peice of gear I have ever tried : Korg Kaossilator Pro Tabletop Synthesizer


I will admit, I've never been a big MIDI user; if I have to access sub-menus to change MIDI modes then I loose interest, unplug the MIDI and just experiment raw. I'm addressing a bit of the cons first here. Syncopation issues are the biggest problem with this unit. It works so hard to keep it's sampled pads in synch with each other, that it fails to provide ample tools for syncing this device to nearly any other (including other Korg devices).

For instance, I can sample a drum loop on this unit, then run the audio line to my KP3 and resample the same loop at the same tempo on my KP3. Then turn off the original loop on the Kaossilator pro, and in a matter of seconds when you turn the Kaossilator loop back on it will already be out of sync with the exact same loop sampled at the same tempo in the same brand's similar device. Notice however, that I am NOT taking off a star for this.

I am also NOT removing a star for the ridiculously short loop time. That does not mean that these are not serious issues that deserve to be deal-breakers for a lot of people based on specifc ways they want to use this, but it means that for this price I would expect Korg to cut a lot more corners.

Now for the pros to justify all five stars. This unit is wildly affordable, as I said, as a completely new type of sampler, or as a sound module, much less for both together. What makes the sampling unique could be considered a weakness by people who refuse to try a new process for loop making. This is because the four banks are always looping. The buttons do not cue-up the loop you just made from the beginning, but instead mute and un-mute it from wherever it happens to be.

As a stand-alone unit, or a part of a MIDI chain, these shortcomings are real, but you can make some amazingly quick and unique drum and simple-note basslines to sample into a more traditional sampler, and the sounds used to make these are not the typical generic stuff seen in this price range. The low end will really shake the hell out of your subwoofers, and if you can keep your hyper fingers stable then you can make some sweet synth lines with a unique approach to arpeggio and pre-integrated filters. This is a great unit to build freeform material for a more trigger-based or long-playing sampler.

This is also a great unit to get people's attention on stage. The tones are sharp and rich and often wild and eccentric (especially if you get too giddy with the touch screen). I like to send my audio output through the KP3 to the Roland SP404SX. I build some short beat parts on the Kaossilator Pro, resample them longer with some melodic accents on the KP3, and then complete the composition in a performance-like manner while sampling at full length on the SP404SX. This has provided me endless possibilities, and a piece of gear I hope to have for the rest of my life.

If you want something unique to give you new angles, this is it. You can stack sounds on each button infinitely with no sound loss. Occasionally it will sample a snippet when you didn't ask it to, and really that's a malfunction, but I use all of this units flaws to my advantage as an experimental songwriter who is accustomed to all gear having ticks, glitches, and shortcomings that I always integrate and accept in my process.

This is not like other gear. There is nothing to compare it to even in the Kaoss series, really. Try it.

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