Monday, January 2, 2012

Zoom R24 Digital Multitrack Recorder

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Zoom R24 Digital Multitrack Recorder

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Zoom R24 Digital Multitrack Recorder


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Zoom R24 Digital Multitrack Recorder
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The revolutionary r16 from zoom is now reborn as the r24 with added features including a built-in sampler, drum machine, 8 additional recording tracks and 6 channels of phantom-power. zoom's r24 combines four production tools into one incredibly versatile device. in addition to 24-track playback and 8-track simultaneous recording using sd memory cards, the r24 is a digital multi-track recorder, an audio interface, a control surface and a pad sampler all on one versatile piece of equipment. the r24 is perfect for capturing audio in a variety of settings. it supplies up to 6 channels with 48v/24v phantom power. you can record up to 8 tracks simultaneously and playback up to 24 tracks in either 16-bit/44.1khz or 24-bit/48khz wav format. so you have enough tracks and power to record everything from complete drum kits to live music performances of bands and orchestras. syncronize two r24s via usb for 16 simultaneous recording tracks. on its side panels, the r24 also features two built-in stereo condenser microphones for field recording or quick, convenient sketch-pad ideas and rehearsals. use the 8 combination xlr-1/4-inch inputs along with one hi-z input for direct connection with a guitar or bass. when your masterwork is ready, you can use over 100 built-in studio effects to enhance your tracks and use the pro-quality mastering effects to complete that studio sound. the r24 is more than a multi-track recorder. it's also a powerful workstation, daw controller, sampler, and field recorder! zoom provides you with everything you need to create professional music recordings from any location by merging a multi-track recorder, audio interface, controller surface and a sampler into the incredible r24..../ Zoom R24 Digital Multitrack Recorder / guitar online...Read more

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  • Equipped with a set of built-in high-sensitivity stereo condenser mics
  • Capture sound effects, speeches and dialog with excellent clarity
  • Connect two R24s via USB for 16 tracks of simultaneous recording
  • Record Scratch tracks and overdub voiceovers in post-production
  • Onboard phantom power with high-quality mic preamps and vocal effects
.../ Zoom R24 Digital Multitrack Recorder / guitar online...Read more


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Product Brand :
Zoom | Model : R24

IMAGE OF Zoom R24 Digital Multitrack Recorder

Zoom R24 Digital Multitrack Recorder
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Zoom R24 Digital Multitrack Recorder

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Zoom R24 Digital Multitrack Recorder

Zoom R24 Digital Multitrack Recorder
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Zoom R24 Digital Multitrack Recorder

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Zoom R24 Digital Multitrack Recorder
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Customer Review :

Finally, we have a fantastic Multi-Track Recorder..... : Zoom R24 Digital Multitrack Recorder


I've been using the R24 for a few months and these are my impressions. First a few bad points that come to mind...

The onboard amp simulations are "good", but I wouldn't say "incredible". I'd consider them "average" for digital modeling of this sort. Guitar Rig, IMO, is better for that sort of thing.

The effects are only available in 44100 Hz operation (CD quality). To me, that's not a major downfall, but for people who like to record at higher rates it might be (though there's no way human ears can hear the difference so I consider it a little silly).

You can only use one insert effect at a time (but you can add chorus/delay, reverb, etc, to that insert effect as well).

There is no external effects send/return loop. So if you have good quality post-signal recording effects that you like to use (compressor or whatever) you won't be able to "plug them in" to the R24 as post-signal external effects... though this can be partially worked around.

As a DAW control surface you can't use the drum pads to control plug-in drum software. The control surface works very well as far as the faders and stop, start, etc functions are concerned, but you can't control plug-in drum functions via a midi controller at the same time. This isn't the end of the world because you don't need to be mixing other channels when you're programming drums, but it would be much more convenient if the R24's drum pads could just be used as a midi control surface for the drums.

Apparently there's a 1.3ms latency introduced when recording tracks while playing back other recorded tracks. As anyone familiar with digital recording knows, all digital devices have some latency involved and you CANNOT detect anything as low as 1.3ms with the human ear... but if you re-amp the same track 10 times in a row you might start to notice it (why anyone would do that I have no idea). I have no personal experience with this 1.3ms latency myself and can't notice it or confirm it... I read about it on the internet and have to take their word for it.

Now the good points.

Apparently, you can remedy the 1.3ms latency thing by doing a simple "trick" after you record the track. Again, I wouldn't know because I have no need to do it.

The DAW controller feature of the Zoom R24 is based on the industry standard Mackie Control architecture, which doesn't support drum pads... that's why the R24 can't do it. For Zoom to include midi drum pad control when operating the R24 as a control surface would probably require a complete rework of Mackie Control, which isn't likely or maybe even feasible. So perhaps it's a little unreasonable to expect the R24 to have this feature. If you want that type of thing, use a separate MIDI controller when you track drums (which is a bit of a nuisance because you have to reset the midi I/O in your DAW, but that's life).

Using the R24 as a DAW interface through the USB connection bypasses your computer's soundcard so you don't need to have a good soundcard in your computer (the R24 acts as the soundcard and your monitor speakers connect to the R24 to hear sounds from the PC).

The R24 has a tonne of on-board effects, so you might not miss not having an external effects loop - but if you have good quality recording effects that you like to use you won't be able to use them while recording the track while the other tracks are playing. You can, however, loop the track by itself through your effect(s) afterwards by going through the main ouput and back into another track and use your external effect(s) that way (this is where that 1.3ms latency I mentioned above comes up after doing this a bunch of times). Personally, I find the R24's effects cover the bases here, so I don't need to do this but if you do, keep this in mind - you can use external effects on recorded tracks, but it requires re-tracking.

The effects are fairly flexible and give you a good level of control over each effect's critical parameters. I said the amp-sim effects were "good" but not "incredible", in reality the R24 gives you lots of control over each effect, so "incredible" might be tunable if you're good at that sort of thing. You can control the gain of the amp simulations, the cabinet simulations, 6-bands of EQ, etc. So a lot of that is up to you. For instance, the compressor modules give you control over attack, sense, threshold, release, delay, etc. There are a lot of effects available. Considering that the R24 is giving you literally hundreds of recording quality effects on-board what is essentially meant to be "just" a 24-track recorder this is really incredible.

Overall, the R24 is an incredible product for the price. It gives you the ability to record 8 tracks simultaneously (two with phantom power) a vast selection of quality highly tweakable effects, built-in tuners and metronome, is light and portable and can record high-quality recordings as a stand-alone unit, it also works very conveniently as a DAW interface and control surface if you want to lay the tracks down in your computer. I haven't used it much as a sampler, so I'm not really familiar with that functionality. It does come with drum samples and sampling functionality, but I use other hardware and software for that so I haven't explored this in the R24 much.

I'm very happy with this product for my uses. I use it to record directly to the R24 (using my studio's other gear or sometimes the on-board modeling) and use the R24's effects and mastering effects. I also use it as an interface and control surface for my PC as a DAW. There are some "flaws" that I'd like to see improved (an external effects loop, the ability to use more than one insert effect at a time, midi control of drum software by the R24's drum pads, etc), but overall these shortcomings are forgivable and are to be expected in any product (no product is perfect). Considering the capabilities, flexibility and recording quality that the R24 has in one package for such a low price I think it's nearly impossible to beat - looking at it that way it deserves 5/5 stars. There's no single unit on the market, in this price range or really any other, that does all the things that the R24 does. If you have a home studio and want one unit to cover a lot of bases well, then this is probably the machine for you.

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