Thursday, May 24, 2012

MXL R144 Ribbon Microphone

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MXL R144 Ribbon Microphone

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MXL R144 Ribbon Microphone

MXL R144 Ribbon Microphone
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Model Of Item : MXL R144
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amazing for the buck : MXL R144 Ribbon Microphone


My roommate paid nearly 200 a piece for Cascades that sound about the same. Great choice for guitar amp distance miking and works well on overheads.

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Saturday, May 19, 2012

JJ Electronics 12AX7 / ECC83 Preamp Vacuum Tube

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Model Of Item : T-12AX7-S-JJ
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JJ Electronics

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Smooth and dark : JJ Electronics 12AX7 / ECC83 Preamp Vacuum Tube


I have a 5 watt combo amp. I was looking for a smoother sound, and got it in this tube. It lacks the brutal attack of the Sovtek and the all around bright articulate response of the NOS RCA gray plate I tried for over a year, but I'm really liking this sound for what it is. I think a tube amp ought to be warm and musical, with nice natural compression, and that's what I'm getting out of this JJ.

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JJ Electronics 12AX7 / ECC83 Preamp Vacuum Tube

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JJ 12AX7 : JJ Electronics 12AX7 / ECC83 Preamp Vacuum Tube


A friend of mine recommended these. He uses them for his antique jukebox and older radios. I use them for my guitar amp. They sound really good and have been working without problems for over a year

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Tuesday, May 15, 2012

Korg Kaossilator Pro Tabletop Synthesizer

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Korg Kaossilator Pro Tabletop Synthesizer OverviewsThe korg kaossilator pro dynamic phrase synthesizer is the supercharged version of the palm-sized kaossilator. the kaossilator pro was reborn as a powerful track-making tool and loaded with live performance power. it creates spontaneous changes that were difficult to produce in the past. not any longer with the korg kaossilator pro dynamic phrase synthesizer. as a trailblazer among the "instrumental gadgets" that allowed anyone to easily create melodies and phrases, the kaossilator gained a strong and dedicated user base, even among those without any performing experience. today, the kaossilator continues to be enormously popular. retaining these revolutionary features – while adding a wide variety of new ones as well – is the kaossilator pro. with 200 sound programs, a new electribe-inspired gate arpeggiator, and four loop recording banks that can even record external audio sources, the kaossilator pro is packed with features that make it ideal for both live performance and premium productions. in addition, usb connectivity with your computer and sd card memory storage allow the kaossilator pro to be used not just for improvised performances, but also as a superbly intuitive, track-making music production tool. using touchpad is highly intuitive – simply rub, stroke, or tap it to instantly create complex phrases with a single finger. responding instantly to these gestures, the kaossilator pro creates spontaneous changes that were difficult to produce on synthesizers of the past. horizontal motions control the pitch, while the vertical axis can control tone parameters such as cutoff, feedback, or modulation depth. this makes it easy for anyone to create entirely original sounds and musical phrases..../ Korg Kaossilator Pro Tabletop Synthesizer / guitar online


Korg Kaossilator Pro Tabletop Synthesizer Features
  • KAOSS X-Y touchpad offers intuitive, realtime control
  • 200 sounds covering modern synth sounds such as lead and bass, and diverse acoustic sounds from piano to trumpet and beyond
  • PCM samples provide dramatic drum kits and ready to rock percussion patterns
  • Vocoder programs deliver scintillating vocal effects
  • Access up to eight of your favorite sounds instantly using the assignable Program Memory buttons
.../ Korg Kaossilator Pro Tabletop Synthesizer / guitar online




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Model Of Item : KOPRO
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Customer Review :

My favorite peice of gear I have ever tried : Korg Kaossilator Pro Tabletop Synthesizer


I will admit, I've never been a big MIDI user; if I have to access sub-menus to change MIDI modes then I loose interest, unplug the MIDI and just experiment raw. I'm addressing a bit of the cons first here. Syncopation issues are the biggest problem with this unit. It works so hard to keep it's sampled pads in synch with each other, that it fails to provide ample tools for syncing this device to nearly any other (including other Korg devices).

For instance, I can sample a drum loop on this unit, then run the audio line to my KP3 and resample the same loop at the same tempo on my KP3. Then turn off the original loop on the Kaossilator pro, and in a matter of seconds when you turn the Kaossilator loop back on it will already be out of sync with the exact same loop sampled at the same tempo in the same brand's similar device. Notice however, that I am NOT taking off a star for this.

I am also NOT removing a star for the ridiculously short loop time. That does not mean that these are not serious issues that deserve to be deal-breakers for a lot of people based on specifc ways they want to use this, but it means that for this price I would expect Korg to cut a lot more corners.

Now for the pros to justify all five stars. This unit is wildly affordable, as I said, as a completely new type of sampler, or as a sound module, much less for both together. What makes the sampling unique could be considered a weakness by people who refuse to try a new process for loop making. This is because the four banks are always looping. The buttons do not cue-up the loop you just made from the beginning, but instead mute and un-mute it from wherever it happens to be.

As a stand-alone unit, or a part of a MIDI chain, these shortcomings are real, but you can make some amazingly quick and unique drum and simple-note basslines to sample into a more traditional sampler, and the sounds used to make these are not the typical generic stuff seen in this price range. The low end will really shake the hell out of your subwoofers, and if you can keep your hyper fingers stable then you can make some sweet synth lines with a unique approach to arpeggio and pre-integrated filters. This is a great unit to build freeform material for a more trigger-based or long-playing sampler.

This is also a great unit to get people's attention on stage. The tones are sharp and rich and often wild and eccentric (especially if you get too giddy with the touch screen). I like to send my audio output through the KP3 to the Roland SP404SX. I build some short beat parts on the Kaossilator Pro, resample them longer with some melodic accents on the KP3, and then complete the composition in a performance-like manner while sampling at full length on the SP404SX. This has provided me endless possibilities, and a piece of gear I hope to have for the rest of my life.

If you want something unique to give you new angles, this is it. You can stack sounds on each button infinitely with no sound loss. Occasionally it will sample a snippet when you didn't ask it to, and really that's a malfunction, but I use all of this units flaws to my advantage as an experimental songwriter who is accustomed to all gear having ticks, glitches, and shortcomings that I always integrate and accept in my process.

This is not like other gear. There is nothing to compare it to even in the Kaoss series, really. Try it.

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Sunday, February 12, 2012

Line 6 Relay G30 Wireless Guitar System

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Line 6 Relay G30 Wireless Guitar System

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Line 6 Relay G30 Wireless Guitar System


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Relay G30 redefines the wireless experience for guitarists and bassists. Its superior sound, professional dependability and refreshing simplicity are unavailable from other wireless systems.

Features:
  • Polycarbonate stompbox-style system
  • Side-mounted 1/4-inch ins and outs on receiver
  • Internal antennas on receiver
  • Reciever has standard 9VDC power
  • 10Hz-20kHz frequency response
  • 6 compatible channels
  • 100 feet line-of-sight transmission range (may vary with local conditions)
  • 24-bit Delta Sigma, 128 times oversampling
  • Transmitter has approx. 8 hour battery life (2 AA batteries)

Superior Sound
Relay G30 provides a pure signal. Its clarity rivals that of the highest-quality guitar cables. Guitars get a beautiful high-end sparkle and basses get a thunderous low-end punch, even at distances of up to 30 meters. Traditional wireless systems compromise their sound by rolling-off crucial high- and low-end frequencies and compressing their signals. Relay G30 offers superior sound with full bandwidth and zero compression.

Professional Dependability
Relay G30 broadcasts its robust signal over the 2.4GHz band. This keeps the signal free from many kinds of interference. For added security, Relay G30 employs exclusive signal protection technology: it broadcasts an encrypted data stream on six channels simultaneously.

Receiver features side-mounted 1/4-inch ins and outs and internal antennas, making it easy to add to a pedal board.

Features a switch to change between cable and wireless systems

Switch between cable and wireless systems without having to adjust the tone settings on your amplifier.

Traditional wireless systems, on the other hand, are susceptible to dropouts, static and many other kinds of interference. Broadcasting over congested UHF bands, their signals may be affected by interference generated as far away as 160 kilometers, or more.

Refreshing Simplicity
Relay G30 is a low-profile system that's easy to use. The lightweight transmitter remains out of the way of your performance, and the rugged receiver can sit on top of your amp or be added to your pedal board. The receiver offers easy-to-read LEDs that display power, status and battery life.

Attached to Your Guitar Cable?
For players attached to cables, adopting a wireless system introduces many questions: What will it feel like? Will it change my sound? Relay G30 sounds just like a cable, but it also sounds just like your cable. Relay G30 features two EQ settings that match the frequency responses of typical guitar cables. Different players use different cables, but all players can use Relay G30.

VWT
Exclusive VWT (Virtual Wire Transmission) technology ensures full-range frequency response, excellent transient response, and wide dynamic range - just like a high-quality guitar cable.

Superior Specs
Relay digital wireless systems produce full-range tones with 10Hz-20kHz frequency response, exceedingly low noise with up to 120dB dynamic range, and studio-quality resolution with 24-bit A/D conversion. (Comparably priced analog wireless systems offer 50Hz-15kHz frequency response and >90dB dynamic range. This wreaks havoc on your tone, especially if you use a high-gain amp.)

Cable Tone Simulation
Using a cable and a wireless system? Now you can switch back and forth without having to adjust the tone settings on your amplifier. Relay digital wireless systems feature a Cable Tone Simulator, which lets you match the sound of your Relay to the sound of your cable.

Compander-Free
Companders squash your signal and ruin your tone. Analog wireless systems require companders but Relay wireless systems do not. Remaining compander-free enables Relay to deliver a beautiful high-end sparkle, thunderous low-end punch, and touch response that analog wireless systems simply cannot deliver.

Diagram on how companders ruin your signal

Remaining compander-free gives better sound than analog wireless systems.

DCL
Exclusive DCL (Digital Channel Lock) technology automatically locks out all sources of interference. The only sound that will come out of your amplifier is you--not static, not Top 40 radio--just you.

2.4GHz broadcast
The best way to avoid interference? Don't get in its way. Relay digital wireless systems broadcast in the 2.4GHz band, which successfully avoids interference caused by TV stations, public safety broadcasts, cell phone towers, and other high-powered sources.

What About WiFi?
Worried about interference caused by 2.4GHz WiFi networks and Bluetooth devices? Don't be. Relay digital wireless systems use uniquely addressed and encoded digital transmission technology. Your tone will make it from your transmitter to your receiver free of interference.

Features a switch for changing wireless channels

Don't waste time scanning for open channels.

Full Quality, No Matter What
Whether you're playing two feet from your Relay G30 or at the edge of its range, you get the same great specs: full frequency response, superior dynamic range, cable-inspired dependability, and 24-bit A/D conversion.

All Channels, All the Time
All channels in all Relay digital wireless systems work all the time. Too good to be true? Maybe for an analog wireless system. Relay digital wireless systems are different. There's no website to reference, and no need to scan for open channels.

.../ Line 6 Relay G30 Wireless Guitar System / guitar online...Read more


************************************

  • 30-meter range, line-of-sight
  • Broad 10Hz - 20kHz frequency response; Superior 118 dB dynamic range, 8 hours of battery life (AA alkaline batteries)
  • Comes complete with transmitter, receiver (Rugged polycarbonate shell) and all necessary accessories including cable, power supply and batteries
  • 2.4GHz band is optimal for guitar wireless, approved for use in Europe, South America, Asia and Australia.
  • Encrypted data stream for added signal protection; Simultaneous broadcasts on six channels
.../ Line 6 Relay G30 Wireless Guitar System / guitar online...Read more


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Line 6 | Model : Relay G30

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Customer Review :

Recommended wireless at around 300 dollars : Line 6 Relay G30 Wireless Guitar System


The ease of operation and sound quality was as the official website stated. I use a Warwick bass and ampeg SVT 450H and 4X10cab, band members did not even noticed that I switched to a wireless, before this I used a 12' MonsterBass cable. The guitarist in my band use a Shure PGX14 and has a little problem of channel setting, though the sound was not bad, too.
There are 2 aspects that this product need to be improved:
The connection cable in the set was not a quality one, but you can get a nice 1.5' instrument cable easily at your local guitar shop to fix the problem (it costs, of course).
The clip was not good, it make scratches on my strap. The transmitter is quite small and there are probably no just-fit holders availible.


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